Publications

Published

2016            Hill, A (2016) ‘Push-Pull Dynamics: Producers and Audiences for Television Drama The Bridge’, in special issue of Television and New Media, guest editor with Vicki Mayer. (online first 2016, Manuscript ID TVNM-16-0003.R1)

2016             Hill, A (2016)  ‘Introduction: Passion’ themed issue for European Journal of Cultural Studies, guest editor with Joke Hermes, Vol. 19(3) 207, DOI: 10.1177/1367549415609330

2016           Hill, A (2016)  ‘Sense of Place: The Bridge International Drama Format’, in Karina Aveyard, Pia Majbritt Jensen and Albert Moran (eds.), New Patterns in Global Television Formats, Intellect Ldt.

2017             Askanius, T. (2017) “It feels like home, this is my Malmö”: Place, media location and fan experiences of Bron||Broen’, Participations.  Journal of Audience & Reception Studies , 14(2), November 2017

2017            Askanius, T. (2017) ‘Audience engagement with The Bridge: Cultural citizenship, cross-border identities and audiences as ‘regionauts’’, European Journal of Cultural Studies, Online First September 2017.

2017            Hill, A., Askanius, T., Kondo, K., Urueta, J.L.  (2017) ‘Intimate Authenticity: documentary audiences and citizen engagement with The Act of Killing and The Look of Silence’ in International Journal of Cultural Studies, special issue on Performance and Citizenship, editors Peter Lunt and Maria Rovisco.

2017            Hill, A. and Steemers, J. (2017) Introduction to Media Engagement’ in Media Engagement, guest editor of special themed issue of Media Industries journal Volume 4, number 1, May 2017.

2017           Hill, et al (2017)  ‘Media Industries and Engagement’ (with Julie Donovan, Jane Roscoe, Jeanette Steemers and Douglas Wood) in Media Industries Volume 4, issue 1 May 2017.

2017            Hill, A. (2017) ‘Reality TV Engagement: reality TV producers and audiences for talent format Got to Dance’ in Media Industries, Volume 4, issue 1 May 2017.

2017            Hill, A.  and Turnbull, S (2017) ‘Nordic Noir Crime Drama’ (with Sue Turnbull) in Oxford Research Encyclopedia of Crime, Media and Popular Culture, editor Gray Cavender, April 2017. DOI: 10.1093/acrefore/9780190264079.013.294

2017           Hill, A (2017)  ‘Reality TV Crime Programmes’ in Oxford Research Encyclopedia of Crime, Media and Popular Culture, editor Gray Cavender,  DOI 10.1093/acrefore/9780190264079.013.177

2017           Hill, A. (2017)  ‘Sense of Place: Producers and Audiences of International Drama Format The Bridge’, in Aveyard, Aveyard, Moran, Albert, and Jensen, Pia Majbritt (eds.) New Patterns in Global Television Formats, Intellect: 281-294. ISBN 978-1-78320-712-1.

Forthcoming articles and chapters

2019            Reality TV and Class (with Koko Kondo) in Routledge Companion to Media and Class, edited by Erika Polson, Lynn Schofield Clark and Radhika Gajjala. (in preparation).

2018            ‘Media Engagement Matters: Mapping the Dynamics of Political and Cultural Engagement’ (with Peter Dahlgren), journal article to be submitted to Media, Culture and Society (in preparation).

2018            Engaging with Reality Television, in Routledge Companion to Global Television, editor Shawn Shimpach. (in review)

2019            Special issue on Media and Transgression, International Journal of Cultural Studies 2018, guest editor with Joke Hermes, co-written introduction. (in preparation)

2018            ‘Underground Audiences: informal media and cult practices for television drama Utopia, in Special issue on Media and Transgression, International Journal of Cultural Studies 2018, guest editor with Joke Hermes. (in preparation)

2018             ‘Renarrativising Fear: Transnational audiences and documentary engagement with The Act of Killing and The Look of Silence’ for journal submission and special issue in European Journal of Cultural Studies, arising from Media and Fear international symposium (Lund University March 2017). (in preparation)

2018            ‘Audience Reception Studies’ in Reception Studies and Audiovisual Translation, edited by Elena Di Giovanni, Yves Gambier (John Benjamins 2017). In press.

2018            ‘Saga’s Story: emotional engagement in the production and reception of The Bridge’ in Crime Pays: Contemporary Global Television Drama, editors Kim Toft Hansen, Sue Turnbull, Steven Peacock, Palgrave Macmillan. (In press)

2018             ‘Provocative Engagement: documentary audiences and performance in The Act of Killing and The Look of Silence’ (with Tina Askanius, Koko Kondo and Jose Luis Urueta) in International Journal of Cultural Studies special issue on Performance and Citizenship, editors Peter Lunt and Maria Rovisco. (in press)

2018             ‘Live Reality Television: care structures for live experiences’ (with Tina Askanius and Koko Kondo)  in Critical Studies in Television, (in review)

 

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